The continuous pursuit of curiosity, the never ending passion of creation.
The continuous pursuit of curiosity, the never ending passion of creation.
5:15:28 PM
Amsterdam, The Netherlands
The continuous pursuit of curiosity, the never ending passion of creation.
5:15:28 PM
Amsterdam, The Netherlands
Philosophies
Challenge
I only pursue what genuinely challenges me. When something starts to feel too familiar, it is not the right project.
Feeling
Emotion lands before logic does. Whatever I make has to connect on a gut level before anything else.
Outside In
I draw from art, film, and culture then bring it to the work. The best references are never obvious ones that are from pre-curated websites.
Pursuit
Curiosity doesn't resolve, I approach every project like there's still everything to learn.
Bold & Weird
The idea that feels slightly off at first is usually the one worth pursuing. Playing it safe produces work no one remembers.
Taste
It is not something you have or you do not. It is built slowly through exposure, reflection, and honest self-criticism over years.
Origin
It started out of boredom. I was the kid drawing in notebooks during class, making things purely because sitting still felt like a waste. Design was not a goal at the time. It was just the thing I kept coming back to.
It started out of boredom. I was the kid drawing in notebooks during class, making things purely because sitting still felt like a waste. Design was not a goal at the time. It was just the thing I kept coming back to.
It started out of boredom. I was the kid drawing in notebooks during class, making things purely because sitting still felt like a waste. Design was not a goal at the time. It was just the thing I kept coming back to.
That hobby became a passion. I taught myself using whatever I could find, pen and paper first, then a cracked copy of Photoshop, spending hours practising until the work started to reflect what I could actually see in my head. At fifteen I began sharing it online, rough and unpolished, but designers I genuinely respected would occasionally respond. Those small moments of acknowledgment shaped something in me that no classroom could have.
That hobby became a passion. I taught myself using whatever I could find, pen and paper first, then a cracked copy of Photoshop, spending hours practising until the work started to reflect what I could actually see in my head. At fifteen I began sharing it online, rough and unpolished, but designers I genuinely respected would occasionally respond. Those small moments of acknowledgment shaped something in me that no classroom could have.
That hobby became a passion. I taught myself using whatever I could find, pen and paper first, then a cracked copy of Photoshop, spending hours practising until the work started to reflect what I could actually see in my head. At fifteen I began sharing it online, rough and unpolished, but designers I genuinely respected would occasionally respond. Those small moments of acknowledgment shaped something in me that no classroom could have.
At seventeen I doubled down on design, but not before spending years doing everything else first. Starting at fourteen I worked nine different jobs outside the creative field, moving through different environments until I was eighteen. Each one taken to earn, to challenge myself, to understand how the world operated outside the bubble I was already building in my spare time. None of those paths were meant to last. But the work ethic and the perspective they gave me became part of how I operate to this day.
At seventeen I doubled down on design, but not before spending years doing everything else first. Starting at fourteen I worked nine different jobs outside the creative field, moving through different environments until I was eighteen. Each one taken to earn, to challenge myself, to understand how the world operated outside the bubble I was already building in my spare time. None of those paths were meant to last. But the work ethic and the perspective they gave me became part of how I operate to this day.
Design was different. I never stopped. The more I practised, the more I started paying attention to the world around me differently. I became drawn to the greats, not just in design but across art, film, architecture, and culture. The way a director makes a scene, the typography on a poster, the detail in a piece of art that says more by leaving things out. Those references shaped how I see and how I work. Over time the practice and the philosophy shaped me into something that felt genuinely mine. Not a designer who executes briefs, but a creative who draws from everywhere and brings it all back to the work.
Design was different. I never stopped. The more I practised, the more I started paying attention to the world around me differently. I became drawn to the greats, not just in design but across art, film, architecture, and culture. The way a director makes a scene, the typography on a poster, the detail in a piece of art that says more by leaving things out. Those references shaped how I see and how I work. Over time the practice and the philosophy shaped me into something that felt genuinely mine. Not a designer who executes briefs, but a creative who draws from everywhere and brings it all back to the work.
Design was different. I never stopped. The more I practised, the more I started paying attention to the world around me differently. I became drawn to the greats, not just in design but across art, film, architecture, and culture. The way a director makes a scene, the typography on a poster, the detail in a piece of art that says more by leaving things out. Those references shaped how I see and how I work. Over time the practice and the philosophy shaped me into something that felt genuinely mine. Not a designer who executes briefs, but a creative who draws from everywhere and brings it all back to the work.
Now at twenty-one years old, there is nothing i rather do; Creating standout designs.
Now at twenty-one years old, there is nothing i rather do; Creating standout designs.
Open for Work
Now at twenty-one years old, there is nothing i rather do; Creating standout designs.
Open for Work